Zmago Len Al-Rdic (1959), an academic painter, professor at the Academy of Fine Arts and design in Ljubljana, presents himself with a specifically designed exhibition in the former monastery church, which he titled Second Life. He titled The exhibition after a work of art, which at the same time represents the starting point of the exhibition's message, linked to the fiction of virtual reality, which is offered by the internet. Lenacrdic carried out his project in a specific author's recognizable artistic language, which is tied to the tradition of modernism. Therefore, in the exhibition we perceive his further research in the direction of the appearance of the image as an object and the perception of the image field – a topic that has always essentially occupied him among others. He designed the exhibition in such a way that he imbued the monochromicity of the vacated early Gothic church with the colorfulness of painting works and colored light sources to give the impression of the presence of stained glass windows, which once characteristically defined medieval sacral buildings.
Zmago Lenárdič (1959), akademski slikar, profesor na Akademiji za likovno umetnost in oblikovanje v Ljubljani, se predstavlja s specifično zasnovano razstavo v nekdanji samostanski cerkvi, ki jo je naslovil Second Life. Razstavo je naslovil po likovnemu delu, ki hkrati predstavlja izhodišče sporočila razstave, vezano na fiktivnost virtualne realnosti, katero ponuja internet. Lenárdič je svoj projekt izpeljal v specifični avtorsko prepoznavni likovni govorici, ki je vezana na tradicijo modernizma. Zato na razstavi zaznavamo njegova nadaljnja raziskovanja v smeri pojavnosti slike kot objekta in percepcije slikovnega polja – temi, ki ga med drugimi od nekdaj esencialno okupirata. Razstavo je zasnoval tako, da je monokromnost izpraznjene zgodnjegotske cerkve prežel z barvitostjo slikarskih del in barvnimi svetlobnimi viri, da dobimo vtis prisotnosti vitrajev, ki so nekoč značilno opredeljevale srednjeveške sakralne stavbe.
