The project in the exquisite Order of Mateja Buchar is designed for the spacious volume of the cukrarna lobby, where the author forms a line or "exquisite order" of dancing bodies of important artists and creators of different generations in the field of contemporary dance. However, the title, together with the string of important dance authors in a line, in a series of recognizable individual Dance Expressions, techniques and aesthetics, with an emphasis on excellence, encourages us to reflect on whether such an act also measures into the field of cultural policy and is at the same time a comment on the position of contemporary dance art in Slovenia. The exploration of the embodiment of the line is repeated and upgraded in Mateja Buchar's opus.
This time, the line shrinks, stretches, curves, twists and unfolds, and comes to life as an incomplete temporary Dictionary of Slovenian contemporary dance, combining a whole range of different movements in a unique and playful way. When outlining a line into space, the question arises whether this is an attempt to delimit space into individual segments, fields or sides, to decompose or reconstruct it, to explore and design intermediate spaces, to freely travel the moving line of bodies through the architectural landscape, or maybe something completely different. Despite the dominant rigor announced by the" exquisite order", the continuous and dynamic line drawn by Mateja Buchar together with the co – creators – a complex and simple, constantly moving choreographic composition at the same time-paradoxically also brings a sense of freedom and fluidity, where the strict structure opens up space for spontaneity, individuality and playfulness in movement.