Uros Alakteinberger (1975) is a laureate of the biennial exhibition a look at the fine arts of Slovenia 6 on the theme I, Here, Now , whose work was selected by the curators of nine central regional galleries. After five biennial exhibitions dedicated to Dolenjska, Bela Krajina and Posavje, she is the first to cover and discuss events in the art field of the whole of Slovenia in cooperation with nine Slovenian regional galleries.
This award-winning work, Acid Rain, represents only one of a larger series of recent works, with which it responds intensely to what is happening in our environment. They warn us, among other things, about ecological dangers, as well as about the proximity of military aggressions and the like.
With this exhibition The Displaced world, the artist continues with this topic, only focusing it on a common denominator, which speaks of the fact that we are all, that is, each of us, from the first moment we come into the world, guided, directed, therefore, under constant control, and that everything that happens in the global world is not just a coincidence.
When we enter the exhibition space, we are distracted by unusual sound impulses that flood all its corners. These come from Serpentine pipes that clutter the entire space, but the fact is that they come from painted images from where they force further out of the space. Do they really want to involve us in every way in what is happening on the screens in order to become, whether we like it or not, part of this deposed world?
Photo By Matej Jordan
Uroš Weinberger (1975) je nagrajenec bienalne razstave Pogled na likovno umetnost Slovenije 6 na temo Jaz, tukaj, zdaj , katerega delo so izbrali kustosi devetih osrednjih regionalnih galerij. Po petih bienalnih razstavah, ki so bile posvečene Dolenjski, Beli krajini in Posavju, je prva, ki v sodelovanju devetih slovenskih regionalnih galerij, zajema in obravnava dogajanje na likovnem področju celotne Slovenije.
Weinbergerjevo nagrajeno delo Acid Rain, predstavlja le eno iz večje serije zadnjih del, s katerimi se intenzivno odziva na dogajanje v našem okolju. Z njimi nas med drugim opozarja na ekološke nevarnosti kot tudi na bližino vojaških agresij in podobno.
S tokratno razstavo Deplasiran svet umetnik nadaljuje s to tematiko, le da jo osredotoči na skupni imenovalec, ki govori o dejstvu, da smo vsi, torej vsak izmed nas, od prvega trenutka, ko pridemo na svet vodeni, usmerjani torej pod nenehnim nadzorom in da vse to kar se dogaja v globalnem svetu ni zgolj slučaj.
Ko vstopimo v razstavni prostor nas zmotijo neobičajni zvočni impulzi, ki preplavljajo vse njegove kotičke. Ti prihajajo iz kačastih cevi, ki prepredajo celoten prostor, a dejstvo je, da izvirajo iz naslikanih podob od koder silijo še naprej ven iz prostora. Nas želijo res na vsak način vplesti v dogajanje na platnih, da bi postali, če hočemo ali ne, del tega deplasiranega sveta?
Foto: Matej Jordan
