Tuesday, 10. 2. 2026, within the framework of the film View cycle at 18.00, we invite you to the plant - the space of art and participation, to a lecture by Tinkara Ursic Fratin entitled The Disintegration of the image as a narrative potential.
In the digital age, Film is being established as a physically intangible audio-visual medium, but it is still derived from a physical material - film tape. In order for it to retain its original state, it must be stored in specific conditions, which is often not (was) guaranteed. This is how the process of decomposition, disintegration and transformation begins, which, in turn, potentially gives rise to New, different forms of images and, consequently, narratives. In the lecture, with regard to the use of archival or found material, using the example of experimental films by the American creator Bill Morrison, we will look at how such images work in the context of the narratology of film - what narrative potential (can) have decaying images, which were already conceived by the ravages of time.
The lecture will be hosted by Dr. Maja Pan.
she holds a master's degree in English and Comparative Literature and is completing a master's degree in film and television studies. As a film and literary critic, she regularly collaborates with the magazines Ekran, Kino! and literature, and on the corridor online platform she is a co-editor of the film section. It also cooperates with various film festivals, such as the festival of Slovenian Film Portoroz and Kino Otok. She is a member of the FIPRESCI society, and in 2024 she was included in the Talents Press program as part of the Sarajevo Film Festival.
The cycle is organized by the film factor/, the Magdalenska network Bakery and the Maribor library, with the support of the Slovenian Film Centre and the municipality of Maribor.
it is a cycle of lectures that aims to bring the art of cinema closer to a wider audience through an in-depth treatment of various theoretical and critical approaches. In this year's cycle, we will explore how the disintegration of the filmstrip opens up new forms of images, as well as counter - how it is possible to reconstruct the story with the help of images. We will pay special attention to the cinematic experience of watching a movie. We will discuss the connections between comics and film as self-made Arts and explore the role of architecture in film. We will also be interested in the phenomenon of science fiction series and their messages over decades of television, as well as the real impact of artificial intelligence on filmmaking. We will look into the images of women on the film screen and reveal patriarchal patterns in film stories, while paying tribute to the Palestinian political film movement again and reflecting on how film shapes our ways of seeing and understanding the world
The film View cycle is a continuation of the film View cycle (2025), the cycle film genres through social criticism (2023, 2024), where we focused our attention on rethinking the connections between film genres and social phenomena, the Cycle Theory of film (2022), where we learned how viewers can apply various theoretical views to their own viewing of all kinds of films, and the cycle history of film (2021) through which we learned the basics of film history.
V torek, 10. 2. 2026, te v okviru cikla Filmski pogled ob 18.00 vabimo v OBRAT - prostor umetnosti in participacije, na predavanje Tinkare Uršič Fratina z naslovom Razpadanje podobe kot pripovedni potencial.
Film se v digitalni dobi vzpostavlja kot fizično neoprijemljiv avdio-vizualni medij, a vendarle izhaja iz fizičnega materiala - filmskega traku. Da ta ohrani svojo prvotno stanje, mora biti shranjen v specifičnih pogojih, kar pa pogosto ni (bilo) zagotovljeno. Tako se začne proces razkroja, razpadanja in preoblikovanja, ki pa potencialno vzbuja nove, drugačne oblike podob in posledično pripovedi. V predavanju si bomo z ozirom na rabo arhivskega oz. najdenega materiala na primeru eksperimentalnih filmov ameriškega ustvarjalca Billa Morrisona pogledali, kako takšne podobe delujejo v kontekstu naratologije filma - kakšen pripovedni potencial (lahko) imajo razpadajoče podobe, ki jih je že načel zob časa.
Pogovor ob predavanju bo vodila dr. Maja Pan.
je magistrirala iz anglistike in primerjalne književnosti ter zaključuje magisterij filmskih in televizijskih študijev. Kot filmska in literarna kritičarka redno sodeluje z revijami Ekran, Kino! in Literatura, na spletni platformi Koridor pa je sourednica filmske sekcije. Sodeluje tudi z različnimi filmskimi festivali, kot sta Festival slovenskega filma Portorož in Kino Otok. Je članica društva FIPRESCI, leta 2024 pa je bila vključena v program Talents Press v sklopu Sarajevskega filmskega festivala.
Cikel organizirajo Film Factory, Pekarna Magdalenske mreže in Mariborska knjižnica, s podporo Slovenskega filmskega centra in Mestne občine Maribor.
je cikel predavanj, katerega cilj je približati filmsko umetnost širšemu občinstvu skozi poglobljeno obravnavo različnih teoretičnih in kritičnih pristopov. V letošnjem ciklu bomo raziskovale_i, kako razpadanje filmskega traku odpira nove oblike podob, pa tudi kontra - kako je mogoče prav s pomočjo podob rekonstruirati zgodbo. Posebno pozornost bomo namenile_i kinematografskim izkušnjam gledanja filma. Obravnavale_i bomo povezave med stripom in filmom kot samoniklima umetnostma ter raziskovale_i vlogo arhitekture v filmu. Zanimal nas bo tudi fenomen znanstvenofantastičnih serij in njihovih sporočil skozi desetletja televizije ter dejanski vpliv umetne inteligence na filmsko ustvarjanje. Poglobile_i se bomo v podobe žensk na filmskem platnu in razkrivale_i patriarhalne vzorce v filmskih zgodbah, obenem pa se bomo znova poklonile_i palestinskemu političnemu filmskemu gibanju ter razmišljale_i o tem, kako film oblikuje naše načine gledanja in razumevanja sveta
Cikel Filmski pogled je nadaljevanje cikla Filmski pogled (2025), cikla Filmski žanri skozi družbeno kritiko (2023, 2024), kjer smo svojo pozornost usmerili v premislek o povezavah med filmskimi žanri in družbenimi pojavi, cikla Teorija filma (2022), kjer smo spoznavali, kako lahko gledalci razne teoretske poglede tudi sami uporabimo pri lastnem gledanju vseh vrst filmov in cikla Zgodovina filma (2021) skozi katerega smo spoznali osnove zgodovine filma.
