/ {Colophon}
102. premiere of Anton Podbevsek Teater
Sanja Neshkovi / Pershin: short stories
Choreography and direction: Sanja Neshkovi / Pershin
Co-creators and performers: Mateja Zheleznik, Luka Ostrez, Filip Mramor, Luka Bokshan, Andrej Tomshe
Curator: Tevz Logar
Set design and video design: Atej Tutta
Costume Design: Uros Belantich
Music: Sasha Kalan
Design of her light: Jaka Shimenc
Authors of the play: Filip Mramor, Luka Bokshan, Andrej Tomshe, Tevz Logar
Song lyrics: Katja Klopchar
Language advice: Barbara Rogelj
Creative design: Eva Mlinar
Wardrobe: Natasha Recer
Music by J. S. Bach is also used in the play
Production team Anton Podbevsek Teater
Production: Anton Podbevsek Teater
/ {about the show}
Short stories dream of Neshkovi / Pershin unfold like a walk through an exhibition that raises questions about the trappings and traps of modern life. Each scene has an effect conceptually and visually autonomous-like an artifact of the flash of the moment in which our struggle, our longing, our cognition are reflected. But all these images merge into a single narrative: into the path of the protagonist, who wanders through a labyrinth, where each section hides a new trap, a new mirror of time, and in it our attitude towards freedom, love, rebellion, desire, control, violence and feelings breaks through. Thus, the labyrinth is not just a stage that the viewer looks at with a clear eye, but a sequence of spaces that unfold as a stunning reflection on our everyday life. At the same time , the Central thought turns to Borges ' story Two Kings and two labyrinths, in which the author establishes a tension between the world of matter and spirit – between the stone labyrinth, the brilliant architecture of human wit and haughtiness, and its opposite: the divine Labyrinth, the desert, the infinite and the uncontrollable. In a silent connection to Borges ' symbolism through the stories dreams Neshkovi / Pershin the stone labyrinth becomes the stage of our modern traps, and the desert unfolds as the final space where all human attempts at Control fail. And, perhaps, right there, at that moment when the direction is lost, the possibility of freedom arises – a tiny but invaluable step out of the labyrinth.
α {Kolofon}
102. premiera Anton Podbevšek Teatra
Sanja Nešković Peršin: KRATKE ZGODBE
Koreografija in režija: Sanja Nešković Peršin
Soustvarjalci in nastopajoči: Mateja Železnik, Luka Ostrež, Filip Mramor, Luka Bokšan, Andrej Tomše
Kustos: Tevž Logar
Scenografija in oblikovanje videa: Atej Tutta
Kostumografija: Uroš Belantič
Glasba: Sašo Kalan
Oblikova nje svetlobe: Jaka Šimenc
Avtorji besedila v predstavi: Filip Mramor, Luka Bokšan, Andrej Tomše, Tevž Logar
Besedilo pesmi: Katja Klopčar
Jezikovno svetovanje: Barbara Rogelj
Oblikovanje kreativ: Eva Mlinar
Garderoba: Nataša Recer
V predstavi uporabljena tudi glasba J. S. Bacha
Produkcijska ekipa Anton Podbevšek Teatra
Produkcija: Anton Podbevšek Teater
δ {O predstavi}
Kratke zgodbe Sanje Nešković Peršin se razpirajo kot sprehod po razstavi, ki pred nas postavlja vprašanja o ujetosti in pasteh sodobnega življenja. Vsak prizor učinkuje konceptualno in vizualno avtonomno – kot artefakt utripa trenutka, v katerem se zrcalijo naš boj, naše hrepenenje, naše spoznanje. A vse te podobe se zlivajo v enotno pripoved: v pot protagonista, ki tava skozi labirint, kjer vsak odsek skriva novo past, novo ogledalo časa, v njem pa se prelamlja naš odnos do svobode, ljubezni, upora, želje, nadzora, nasilja in občutij. Labirint tako ni le oder, ki ga gledalec zre z očiščem, temveč zaporedje prostorov, ki se razpirajo kot presunljiv razmislek o našem vsakdanu. Ob tem se osrednja misel obrača k Borgesovi zgodbi Dva kralja in dva labirinta , v kateri avtor vzpostavi napetost med svetom snovi in duha – med kamnitim labirintom, sijajno arhitekturo človeške pameti in ošabnosti, ter njegovim nasprotjem: božjim labirintom, puščavo, neskončno in neobvladljivo. V tihi navezavi na Borgesovo simboliko skozi zgodbe Sanje Nešković Peršin kamniti labirint postane oder naših sodobnih pasti, puščava pa se razgrne kot končni prostor, kjer odpadejo vsi človeški poskusi nadzora. In morda prav tam, v tistem trenutku, ko se izgubi smer, vznikne možnost svobode – droben, a neprecenljiv korak iz labirinta.