Rajko Chuber (1957) set out to place the painted canvases side by side as the basic idea of the conceptual layout in the salon, thus placing the image of a line in the space that symbolically marks the artist's life path. Despite the fact that on this occasion Chuber painted his life practically on the fly, he consciously incorporated into the canvases the components that formed the accents of his stylistic definitions of certain earlier periods. The ambient layout thus blends into a single image, into a single image. The coloring is also adapted to this. All shades of intense red with a pronounced tonal restless background, where shades of Blue often act as a counterpoint to the accentuating depth, pass through the artist's life path into the personification of his being, his experience.
Photo: Vlado Bucalo
Rajko Čuber (1957) si je kot osnovno idejo konceptualne postavitve v salonu zastavil naslikana platna postaviti eno ob drugo ter tako v prostor umestiti podobo linije, ki simbolično zaznamuje umetnikovo življenjsko pot. Kljub temu da je Čuber ob tej priložnosti naslikal svoje življenje tako rekoč na mah, je na platna zavestno inkorporiral komponente, ki so tvorili akcente njegovih stilnih opredelitev določenih zgodnejših obdobij. Ambientalna postavitev se tako zlije v eno samo sliko, v eno podobo. Temu je prilagojen tudi kolorit. Vsi odtenki intenzivno rdeče z izrazito tonsko nemirnim ozadjem, kjer pogosto kot kontrapunkt poudarjajoče globine nastopajo odtenki modre, prehajajo skozi umetnikovo življenjsko pot v personifikacijo njegove biti, njegovega izkustva.
Foto: Vlado Bucalo
