The Church Of Sts. Trinity Cathedral on Katinara, once an independent village on the outskirts of Trieste, was painted by Tone Kralj at the invitation of parish priest Hubert Leiler (1894-1942) during the 15th century. June and 10. in October 1931, when the bishop of Trieste favored the Slovenes of Gorizia, Luigi fog 6 (1882-1971). Immediately before the scaffolding was erected, the King completed the Salomo, which he put on public display at the Ljubljana exhibition and convention centre in June 1931. Due to its Biblical motif, National Defence content and monumental dimensions, the painting can be placed alongside expressionistic-feeling wall paintings on Katinara, which in the post-war time were considered as a depiction of the way of the Cross of the Slovenian nation in the Primorska region.
To highlight the Royal paintings, we will attract the works of Giotto and Klimt, the texts of France Stelet and France Bevk, television or radio performances by Nacet Shumi and Milko Bambic, the poetry of Happy Kosovel and the unsuspected connection with the Dachau camp, Dante, Primo Levi and Zoran Mushic.
Alessandro Ampuinzi (Gorizia, 1972) graduated in Monument Protection at the University of Udine, where he later completed his specialization in art history. Since 2003, he has been working as curator of the art collection at the provincial museums of Gorizia (Musei Provinciali di Gorizia).
Entrance fee: 5 EUR
The Friends of the National Gallery have free admission.
Information:
T: 01 24 15 418
E: blagajna@ng-slo.si
Cerkev Sv. Trojice na Katinari, nekoč samostojni vasi na obrobju Trsta, je Tone Kralj na povabilo župnika Huberta Leilerja (1894–1942) poslikal med 15. junijem in 10. oktobrom 1931, ko je bil tržaški škof Slovencem naklonjeni Goričan Luigi Fogàr (1882–1971). Neposredno pred postavitvijo odrov je Kralj dokončal Salomo , ki jo je junija 1931 javno postavil na ogled na ljubljanskem gospodarskem razstavišču. Sliko lahko zaradi svetopisemskega motiva, narodnoobrambne vsebine in monumentalnih dimenzij postavimo ob bok ekspresionistično občutenim stenskim poslikavam na Katinari, ki so v povojnem času obveljale kot upodobitev križevega potu slovenskega naroda na Primorskem.
V osvetlitev Kraljevih slik bomo pritegnili dela Giotta in Klimta, besedila Franceta Steleta in Franceta Bevka, televizijske oz. radijske nastope Naceta Šumija in Milka Bambiča, poezijo Srečka Kosovela in nesluteno povezavo s taboriščem Dachau, Dantejem, Primom Levijem in Zoranom Mušičem.
Alessandro Quinzi (Gorica, 1972) je diplomiral iz spomeniškega varstva na Univerzi v Vidmu (Università degli studi di Udine), kjer je kasneje zaključil še specializacijo iz umetnostne zgodovine. Od leta 2003 je kot kustos umetniške zbirke zaposlen v Pokrajinskih muzejih v Gorici (Musei Provinciali di Gorizia).
Vstopnina: 5 EUR
Prijatelji Narodne galerije imajo prost vstop.
Informacije:
T: 01 24 15 418
E: blagajna@ng-slo.si