Slovenian National Theatre Nova Gorica
Tena Shtivichi /
64
Urban drama
Translator Dijana Matkovi /
Directed By Nina Shorak
Played by Nika Rozman k. g., Jure Kopusar, Helena Pershuh, Rados Bolchina, Urska Taufer, Gorazd Jakomini, Blazd Valic , Brigita Gregoric (voice)
One of the last dramatic texts by the contemporary Croatian writer Tena Shtivichi, the album exposes the longing of a modern couple on the threshold of forty, who have to face the difficulties of spontaneous conception. In the drama, with slightly hinted humorous undertones, we follow the development of the relationship between the upright and strong Eve, who follows the call of parenthood with passion, and Daniel, who follows her and tries to support her with loving tenderness; at the same time, the emergence of new crisis moments and New decisions that drive Eve to the threshold of infidelity, and Daniel to the space of virtual freedom in virtual reality. The fact of not being able to have children and having to accept the artificial insemination procedure forces them to reassess their relationship, themselves and all their beliefs and try to answer themselves the question of having or not having a child. Drama about women and men so, about children and parents, about reality and imagination.
Photo: Peter Earring.
Slovensko narodno gledališče Nova Gorica
Tena Štivičić
64
Urbana drama
Prevajalka Dijana Matković
Režiserka Nina Šorak
Igrajo Nika Rozman k. g. , Jure Kopušar , Helena Peršuh , Radoš Bolčina , Urška Taufer , Gorazd Jakomini , Blaž Valič , Brigita Gregorič (glas)
Eno zadnjih dramskih besedil sodobne hrvaške pisateljice Tene Štivičić razgalja hrepenenje sodobnega para na pragu štiridesetih, ki se mora soočiti s težavami pri spontani zanositvi. V drami z rahlo nakazanimi humornimi podtoni tako spremljamo razvoj odnosa med pokončno in močno Evo, ki s strastjo sledi klicu starševstva, in Danijelom, ki ji pri tem sledi ter jo z ljubečo nežnostjo skuša podpreti; hkrati pa tudi vznikanje novih kriznih trenutkov in novih odločitev, ki Evo priženejo na prag nezvestobe, Danijela pa v prostor navidezne svobode v virtualni realnosti. Dejstvo, da ne moreta imeti otrok in morata sprejeti postopek umetne oploditve, ju sili, da ponovno ocenita svoj odnos, sebe in vsa svoja prepričanja ter si poskusita odgovoriti na vprašanje imeti ali ne imeti otroka. Drama o ženskah in moških torej, o otrocih in starših, o resničnosti in domišljiji.
Foto: Peter Uhan.