Milena Gregorcic (1952), with the presented series of works lines and banners, despite the strong landscape associative elements, moves again within the modernist language in the field of abstract painting, but still remains problematic in exploring two elementary painting problems, the problem of space and the problem of light. A transparent material, this time a foil, which carries in its intention the desire for an invisible carrier, which enables the line to enter the space in an illusionistic way. The main accent of the layout is given by the almost fifteen-meter-long drawing on the foil, which in space perspectively rises in depth towards the horizon. In texture, light, shadows and color, the author sensitively writes out a life story. Every furrow, brush stroke or light reflection through the layers of color are reduced substances to convey the message of life, of being.
Photo: Artiko d. o.o.
Milena Gregorčič (1952) se s predstavljeno serijo del Linije in transparence , kljub močnim krajinarskim asociativnim elementom, ponovno giblje znotraj modernističnega jezika v polju abstraktnega slikarstva, problemsko pa še vedno ostaja pri raziskovanju dveh elementarnih slikarskih problemov, problema prostora in problema svetlobe. Kot nosilec slikarskih del na razstavi ponovno nastopi transparenten material, tokrat folija, ki v intenci nosi željo po nevidnem nosilcu, ki omogoča črti iluzionistično stopiti v prostor. Poglaviten akcent postavitvi daje skoraj petnajst metrov dolga risba na foliji, ki v prostoru perspektivično vzvalovi v globino proti horizontu. V teksturi, svetlobi, sencah in barvi avtorica senzibilno izpisuje življenjsko zgodbo. Vsaka brazda, poteza čopiča ali presev svetlobe skozi barvne plasti so reducirane snovi za prenašanje sporočila o življenju, o biti.
Foto: Artiko d.o.o.
