The story, which the artist thoughtfully placed in the exhibition space, is full of symbols and intuitive settings, as well as references to the history of landscape art. The concept of layout, which is already determined by the title of shelter, is of course not intended solely for itself and the immanent aesthetic component, but rather encourages and encourages interaction. I am referring not only to visitors, but also to the autonomy and expressed being of natural elements in space, as well as to potential beings that coexist with these elements. However, these can be either representatives of the animal or the Elven, magical world. Shelters are always built for someone.
Photo: Tomaz Grdin, GBJ archive
Zgodba, ki jo je umetnica domišljeno umestila v razstavni prostor, je polna simbolov in intuitivnih nastavkov, kot tudi referenc na zgodovino krajinske umetnosti. Koncept postavitve, ki je determiniran že z naslovom Zavetja , seveda ni namenjen zgolj samemu sebi in imanentni estetski komponenti, temveč vzpodbuja in nagovarja k interakciji. Pri tem ne mislim zgolj na obiskovalce, temveč tudi na avtonomnost in izraženo bit naravnih elementov v prostoru, kot tudi na potencialna bitja, ki s temi elementi sobivajo. To pa so lahko bodisi predstavniki živalskega bodisi vilinskega, magičnega sveta. Zavetja so namreč zgrajena vedno za nekoga.
Foto: Tomaž Grdin, arhiv GBJ