CHAMBER ENSEMBLE OF THE ITALIAN PHILHARMONIC ORCHESTRA
Marco Albonetti, soprano and baritone saxophone
The last subscription concert will be marked by film music. In its beginnings, it was created by the greatest masters of classical music, so that later it would develop into a special musical genre, whose works continued to remain completely equal and equal to their concert relatives, so it is no wonder that even today orchestras or chamber ensembles regularly include them in their programs. The masterpieces of Nino Rota, Ennio Morricone, Armando Trovajoli or Astor Piazzolla, which mark both musical and film history, are loved by listeners all over the world, because this music creates a magical dualism with stage action, a dynamic dialogue of chiaroscuro, contrasts, affinities and harmonies. This is also why saxophonist Marco Albonetti And The Italian Philharmonic Orchestra , this time in a chamber ensemble, approach these scores with deep respect, love and even deliberate preservation of the patina. Of course, film music is intended to follow what is happening on the screen. But the music of the greatest composers is so powerful and unique that these melodies can live on their own and take us to another time and place, revive memories of past experiences or introduce us to new worlds that we can conjure up in our imagination.
Indicative schedule:
Piazzolla, E. Morricone, A. Trovajoli, N. Rota, G. Barbieri
KOMORNI ANSAMBEL ITALIJANSKEGA FILHARMONIČNEGA ORKESTRA
Marco Albonetti , sopranski in baritonski saksofon
Zadnji abonmajski koncert bo v znamenju filmske glasbe. V njenih začetkih so jo ustvarjali največji mojstri klasične glasbe, da bi se kasneje razvila v posebno glasbeno zvrst, katere dela pa so še naprej ostajala povsem enakovredna in enakopravna koncertnim sorodnicam, zato ni nič čudnega, če jih orkestri oziroma komorne zasedbe tudi danes redno uvrščajo v svoje programe. Mojstrovine Nina Rote, Ennia Morriconeja, Armanda Trovajolija ali Astorja Piazzolle, ki zaznamujejo tako glasbeno kakor tudi filmsko zgodovino, obožujejo poslušalci po vsem svetu, saj ta glasba ustvarja čarobni dualizem z odrskim dogajanjem, dinamičen dialog chiaroscura, kontrastov, sorodnosti in harmonij. Tudi zato se saksofonist Marco Albonetti in Italijanski filharmonični orkester , tokrat v komorni zasedbi, teh partitur lotevajo z globokim spoštovanjem, ljubeznijo in celo namernim ohranjanjem patine. Seveda je filmska glasba namenjena spremljanju dogajanja na platnu. Toda glasba največjih skladateljev je tako močna in samosvoja, da lahko te melodije živijo same zase ter nas popeljejo v drug čas in kraj, obudijo spomine na pretekla doživetja ali nas uvedejo v nove svetove, ki si jih lahko pričaramo v svoji domišljiji.
Okvirni spored:
Piazzolla, E. Morricone, A. Trovajoli, N. Rota, G. Barbieri
