What Marielle knows ( Alaktas Marielle alakeei/, Germany, 2025, 87 min.)
What would you do if your child suddenly could see and hear everything you do and say when he is not around? A fun and insightful social satire with a supernatural touch, after which you will rethink your family relationships.
Directed and written by: Fr / / / / / / / / / / /
Playing: Julia Jentsch, Felix Kramer, Laeni Geiseler, Mehmet Ateşçi, Moritz Treuenfels
Festivals, awards: Berlinale (Special Mention of the Association of German arthouse cinematographers); Liffe
Distribution: Fivia-Vojnik
Genre: comedy drama
Story
Julia and Tobias are a seemingly perfect couple. But problems are bubbling behind a carefully maintained facade. The fragile balance between the spouses is broken when their daughter Marielle develops telepathic abilities, thanks to which she can see and hear everything that her parents do – at any moment. Julia and Tobias realize with horror that they can no longer hide anything from their daughter …
Comment
"But maybe the point of the film is not at all that Mariella's abilities are something special, but that they are universal – or at least almost. Teenagers know how to make out very well in their attentive silence what their parents really think and do, so it would be better for adults to accept this and be honest with children.«
Peter Bradsha / The Guardian
"A uniquely contemporary comedy by nravi that finds an admirable balance between in-depth insight and playful provocation.«
Sam Lightigle light, Sight and Sound
"What Marielle knows is the hanging tragiparody of the cliched, conformist, paranoid, pathetic transparency of the Modern Family. / ... / Marielle-Carrie of the alpha generation-sudden telepathic abilities turn into the parent of her parents /.../, but all that she knows, she would know even without telepathic abilities. And he probably doesn't even have them. She does not need them to see through her parents, who really need to be – sadistically, semi – fascistoid-controlled so that the family does not fall apart. "I just have to die and you can do whatever you want again, "says Marielle, the ultimate mom, who suggests that the world will be ruled by Puritan, conservative generations allergic to alternative"relationship types". For"
Marcellus, Jr., Youth
Kaj Marielle ve ( Was Marielle weiß , Nemčija, 2025, 87 min.)
Kaj bi storili, če bi vaš otrok nenadoma lahko videl in slišal vse, kar delate in govorite, kadar ga ni zraven? Zabavna in pronicljiva družbena satira z nadnaravnim pridihom, po kateri boste na novo premislili svoje družinske odnose.
Režija in scenarij: Frédéric Hambalek
Igrajo: Julia Jentsch, Felix Kramer, Laeni Geiseler, Mehmet Ateşçi, Moritz Treuenfels
Festivali, nagrade: Berlinale (posebna omemba Združenja nemških arthouse kinematografov); Liffe
Distribucija: Fivia – Vojnik
Žanr: komična drama
Zgodba
Julia in Tobias sta na videz popoln par. Toda za skrbno vzdrževano fasado brbotajo težave. Krhko ravnovesje med zakoncema se poruši, ko njuna hči Marielle razvije telepatske sposobnosti, zaradi katerih lahko vidi in sliši vse, kar starša počneta – v vsakem trenutku. Julia in Tobias z grozo spoznata, da pred hčerko ne moreta ničesar več skriti …
Komentar
»Mogoče pa bistvo filma sploh ni v tem, da so Marielline sposobnosti nekaj posebnega, ampak da so univerzalne – ali pa vsaj skoraj. Najstniki znajo v svojem pozornem molku zelo dobro razbrati, kaj njihovi starši v resnici mislijo in počnejo, zato bi bilo za odrasle bolje, da to sprejmejo in so do otrok iskreni.«
Peter Bradshaw, The Guardian
»Edinstveno sodobna komedija nravi, ki najde občudovanja vredno ravnovesje med poglobljenim uvidom in igrivo provokacijo.«
Sam Wigley, Sight and Sound
»Kaj Marielle ve je obešenjaška tragiparodija klišejske, konformistične, paranoidne, patetične prozornosti sodobne družine. /…/ Marielle – Carrie generacije alfa – nenadne telepatske sposobnosti prelevijo v starša svojih staršev /…/, a vse to, kar ve, bi vedela tudi brez telepatskih sposobnosti. In verjetno jih niti nima. Ne potrebuje jih, da bi videla skozi svoja starša, ki ju je res treba – sadistično, napol fašistoidno – nadzorovati, da družina ne bi razpadla. »Samo umreti moram, pa bosta lahko spet počela, kar bosta hotela,« pravi Marielle, ultimativna mama, ki daje slutiti, da bodo svetu zavladale puritanske, konservativne generacije, alergične na alternativne »tipe odnosov«. ZA«
Marcel Štefančič, jr., Mladina