18.30-accompanying event 4: "Exposition"
Programme:
Animacaron Deutsch: Exposition #1.8.02 (E Animposition #1.8.02)
Sarah Nemtsov: Da'at
Pierluigi Billone: Sgorgo / /
Artist: Alumaron Deutsch, electric guitar
19.30-before the concert, talk to Lan Podletnik ASIC (moderator: Gregor Pompe)
20.00-concert: collision of temporality
Programme:
Elena R Infockova: 101% mind uploading (101% mind uploading) for piano and percussion
Imsu Choi: IIIN for flute, clarinet, accordion, cello and electric guitar
Brendan Champeau / Poem Code for bass clarinet, electric guitar, percussion and accordion
Lan Podletnik ASIC: new work for flute, clarinet, electric guitar, percussion and cello (commissioned by The New Music Forum)
Misato Mochizuki: Satellites for piano, saxophone, percussion
Performers: members of the New Music Forum ensemble
Co-Production: Association UHO (Forum of new music) and Cankarjev dom
The first concert of this year's festival will feature works that deal markedly differently with temporality, i.e. a fundamental musical parameter, and the understanding of the latter can also be mapped to the social relationships between performers who have to adapt to this different temporality.
18.30 – Spremljevalni dogodek 4: »Ekspozicija«
Program:
Yaron Deutsch: Ekspozicija #1.8.02 (Exposition #1.8.02)
Sarah Nemtsov: Da'at
Pierluigi Billone: Sgorgo Y
Izvajalec: Yaron Deutsch, električna kitara
19.30 – Pred koncertom pogovor z Lanom Podletnikom Ašičem (moderator: Gregor Pompe)
20.00 – Koncert: Trk časovnosti
Program:
Elena Rykova: 101% nalaganje misli (101% mind uploading) za klavir in tolkala
Imsu Choi: IIIN za flavto, klarinet, harmoniko, violončelo in električno kitaro
Brendan Champeaux: Poem Code za basovski klarinet, električno kitaro, tolkala in harmoniko
Lan Podletnik Ašič: novo delo za flavto, klarinet, električno kitaro, tolkala in violončelo (naročilo Foruma nove glasbe)
Misato Močizuki: Sateliti (Satellites) za klavir, saksofon, tolkala
Izvajalci: člani Ansambla Foruma nove glasbe
Koprodukcija: Društvo UHO (Forum nove glasbe) in Cankarjev dom
Na prvem koncertu letošnjega festivala bodo na sporedu dela, ki izrazito različno obravnavajo časovnost, torej temeljni glasbeni parameter, razumevanje slednjega pa je lahko preslikano tudi na družbena razmerja med izvajalci, ki se morajo tej različni časovnosti prilagajati.