In the project, Young Artists Boris Beja (1986, Trbovlje, Slovenia) and Suzana Brborovi / 1988, Kranj, Slovenia bring together all the diversity of conceptual art, which intervenes in various theoretical fields from social philosophy to anthropology, while critically pointing out the anomalies of current society and time. It is an extremely insightful and mature view of Zeitgesit, a screaming, symbolically charged, existential resime of two extremely talented young creators in space and time, which at the same time captures an autoreflexive moment in terms of social chronology.
The authors conceived the project through a reflection of the construction industry, which is usually one of the first to experience a significant collapse during the economic crisis. The topic of exploitation of the work, as is customary in times of crises, is again very relevant, with the fact that the artists at the same time, or above all, also draw attention to the unsettled field of work of fine artists in our country.
photo: Tomaz Grdin, GBJ archive
V angažiranem projektu združujeta mlada umetnika Boris Beja (1986, Trbovlje, Slovenija) in Suzana Brborović (1988, Kranj, Slovenija) vso pestrost konceptualne umetnosti, ki posega v različna teoretična polja od socialne filozofije do antropologije, pri čemer kritično opozarja na anomalije aktualne družbe in časa. Gre za izjemno pronicljiv in zrel pogled na Zeitgesit, kričeč, s simboliko nabit, eksistencialni rezime dveh izredno nadarjenih mladih ustvarjalcev v prostoru in času, ki obenem ob družbeni kronologiji zajema hkrati avtorefleksiven moment.
Avtorja sta projekt koncipirala skozi refleksijo gradbene panoge, ki običajno v času gospodarske krize med prvimi doživlja precejšen kolaps. Tema eksploatacije dela je, kot je to v času kriz običaj, ponovno zelo aktualna, s tem da umetnika hkrati, ali pa predvsem, opozarjata tudi na neurejeno področje dela likovnih umetnikov pri nas.
foto: Tomaž Grdin, arhiv GBJ
