The Imitari-Timebo article project raises the question of the function of image in relation to time and movement, characteristic of Deleuz's image-movement-Time Paradigm. Through the analytical apparatus of photography, Radovich puts the viewer in the role of the one who (de)constructs the individual film frame. The purpose of this is not only to build codes of visual reading, with which we can work out individual shots that form the frame (in reality and also in fiction), but to activate the viewer in the very act of cutting, which Radovic performs in the exhibited works.
Curator: Sebastjan Leban
Projekt Imitari – Timebox načenja vprašanje funkcije podobe v relaciji do časa in gibanja, značilne za Deleuzovo paradigmo podoba-gibanje podoba-čas. Skozi analitični aparat fotografije Radovič postavi gledalca v vlogo tistega, ki (de)konstruira posamezni filmski kader. Namen tega ni samo izgraditi kod vizualnega branja, s katerim lahko razdelamo posamezne posnetke, ki tvorijo kader (v realnosti in tudi v fikciji), temveč aktivirati gledalca pri samem dejanju reza, ki ga Radovič izvede v razstavljenih delih.
Kustos: Sebastjan Leban