Peter Fettich: crushed strawberries & Matej Sitar: Once Upon a time, somewhere
In this author's dialogue, a well-known and unknown author meets. One of the actors is a box discovered by Matej Sitar in 2006 at a flea market in the USA. A box with old Polaroids, scattered negatives and a hand-written diary. No name, no date, information about the author – just fragments of life, captured in images and words. Photos from the series Once Upon a time, somewhere (date Unknown) show glimpses from different parts of America – motels, roads, aliens, interiors of rooms, their own shadows and intimate records. Peter Fettich accompanies the story of the unknown chronicler as a counterpoint with the series crushed strawberries (2025), where he presents the recording of a personal story during the treatment of carcinoma of the tongue. Through his own archival and newly created material and with subsequent (experimental) work in the photographic dungeon, the author shows his real-time, documentary response to treatment, as well as subsequent psychological responses to the topic of transience and resilience of the human body. Two photographers meet, each recording personal reality in their own way, questioning the contact between the ephemerality of Man and the desire for the legacy of personal experience of the world.
Curator: Sara Nusa Golob Grabner
Peter Fettich: Zmečkane jagode & Matej Sitar: Nekoč, nekje
V tokratnem avtorskem dialogu se srečujeta znan in neznan avtor. Eden od akterjev je škatla, ki jo je Matej Sitar leta 2006 odkril na bolšjem sejmu v ZDA. Škatla s starimi polaroidi, raztresenimi negativi in ročno pisanim dnevnikom. Brez imena, brez datuma, podatkov o avtorju – le drobci življenja, ujeti v podobah in besedah. Fotografije iz serije Nekoč, nekje (datum neznan) prikazujejo utrinke z različnih koncev Amerike – motele, ceste, tujce, notranjosti prostorov, lastne sence in intimne zapise. Zgodbo neznanega kronista kot kontrapunkt pospremi Peter Fettich s serijo Zmečkane jagode (2025), kjer predstavi beleženje osebne zgodbe tekom zdravljenja karcinoma jezika. Skozi lasten arhivski in novonastali material in s kasnejšim (eksperimentalnim) delom v fotografski temnici avtor prikaže svoj sproten, dokumentarističen odziv na zdravljenje, kot tudi kasnejše psihološke odzive na temo minljivosti in odpornosti človeškega telesa. Srečata se dva fotografa, ki sta vsak na svoj način beležila osebno resničnost in pod vprašaj dajeta stik med efemernostjo človeka in željo po zapuščini osebnega doživljanja sveta.
Kuratorka: Sara Nuša Golob Grabner
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